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Co-funded by the European Union

Co-funded by the European Union

THE SOLUTION

Deliverables: YCM Colour separation for archival • Recording of colour separated images, Y, C and M on three individual negatives or in sequence on the same negative. • Recording onto FUJIFILM recording film for Digital Sep- aration ETERNA-RDS 4791 or KODAK VISION3 Digital Separation Film 2237. Film processing is D97 positive. • Both Cinevator (HD and 2k) or Arrilaser (HD, 2k and 4k) is available. Sound: • Sound formats can be mono, 2.0 (stereo) or 5.1 (Dolby Digital) • File formats can typically be .wav or .aiff or Sound recording formats : • Recording of analogue-optical sound, 2.0 (stereo) variable area/cyan-dye (on print film). High-magenta soundtrack exposure can be available. • Dolby Digital sound from a Dolby Mastering Unit (DMU) Deliverables: Optical Soundtrack Negative (OSTN) (for printing and archival) • Sound recording onto KODAK Panchromatic Sound Re- cording Film 2374 and EASTMAN EXR Sound Recording Film 2378E. Film processing is D-97. • Sound recording with MVA LLK-4 optical sound record- er. Deliverables: Direct-to-Print with Cinevator • Superb quality prints can be made with images and sound (analogue and Dolby Digital) as well as subtitles. • Printing onto KODAK VISION Color Print Film 2383. Film processing is ECP-2E. Or KODAK Black-and-White Print Film 2302. Film processing is D-97. Traditional film prints We can also do traditional film printing using interme- diate negative and optical sound negative using a Bell & Howell film printer.

Piql can offer a range of preservation options for your digital films, including transforming your digital file into traditional analogue 35mm film as visual images. All information can be viewed in the future on a traditional film projector or retrieved and converted back into digital form with a film scanner. All information remains accessible for decades and even centuries. Our Traditional Film-Out Services can be tailored to your specific needs and offers a complete solution to preserve both digitally born as well digitised films (e.g. documentary, sports or feature films) in different vari- ants of ourtrusted 35 mm film. Images: • HD (1080p), 2k or 4k images typically at 24 or 25 frames per second (other custom resolutions and frame rates also available) from a Digital Source Master (DSM) or DCP etc. • File formats can typically be 10 bit .dpx or 16 bit .tif in colour space Rec 709, P3, P7 or logarithmic Image Recording Formats: • Academy flat and anamorphic (SMPTE 59-1998, Style A + B), 4 perforations • Full Frame (SMPTE-059, Style C), 4 perforations • Custom image recording formats can be available Input and recording/printing formats: Deliverables: intermediate negatives/archival negatives: • Recording onto colour film: KODAK VISION3 Color Digital Intermediate Film 2254 or KODAK VISION Color Intermediate Film 2242 as internegative or interpositive. Film processing is ECN-2. • Recording onto B&W film: EASTMAN Fine Grain Du- plicating Positive Film 2366. Film processing is D-97. Or EASTMAN Fine Grain Duplicating Panchromatic Nega- tive Film 5234. Film processing is D-96.

CONTACT INFORMATION

For a complimentary, no-obligation discussion around we can improve your document digitisation process efficiency, please contact your local Piql Partner. For details, please go to piql.com/contact .

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